From Rex's perspective, he thinks that the lore and symbols control everything. He believes that the seer should have the leadership role and that the rest of the midnighters would follow his lead. He thinks that if you control the lore, than you control the world. Or at least the midnight world. This is displayed when it is said, "Leave it to Rex to be convinced the threat was over because he had his hands on the flame-bringer domino. It figured. That was the way he saw the world: control the symbols, control everything." (Westerfield 137) This displays that he thinks that a seer, being the only one who can read and understand the lore, should lead and can control everything that happens. It think he believes this because in the past, from his studying, he can tell that the seer used to be the leader, that the seer used to control with the lore. He wanted it to be like that for him, not just an unappreciated midnighter whose talent wasn't that useful. He wanted it to be like the old days when he had a large role in midnighter happenings.
Jim Knee, or the jinnee, is very grumpy with Septimus and his friends and only reluctantly does what he says. I think he is going to turn on them even though he is obliged to do whatever Septimus says, and that he will be the factor that lead to their downfall. You can see that Jim Knee does not enjoy being Septimus's jinnee when the narrator says, "Jim Knee looked extremely grumpy. After a long pause he answered reluctantly, 'Jim Knee,' and then added, 'Oh Clever One.'" (Sage 521). Another instance is when, "If his Master insisted that he become a giant turtle, then a giant turtle he had to become. But it didn't stop the jinnee from bargaining. 'I'll do it for ten minutes, no longer, Oh Wearisome One,' he said...'No more than twenty minutes, I pray you, Oh Pitiless One,' Jim Knee wheedled....'Very well, Oh Ruthless One,' said Jim Knee gloomily." (Sage 540) and another time it is discovered just how much respect Jim Knee had for his master, "The jinnee had more respect for a decomposing tentacle than he did for his Master." (Sage 547) From all of these instances, it is not hard to guess that Jim Knee did not have very much liking for his Master. You can tell this for when he calls Septimus increasingly insulting names, going from "Clever" to "Ruthless". I believe that he is so grumpy with Septimus because he had spent so long trying to find him and has been on such a grueling journey, and he is just originally slightly snappy that it results in his ultimate dislike of his Master.
I have noticed that every book involves someone who is in danger or not with the rest of the group, and they need to go and rescue them, but somehow end up in danger themselves. In the first book (Magyk), the baby Jenna was in danger and then she was rescued by Silas and his family, who ended up in mortal danger at one point also. Also in the first book, Marcia was captured and held in a cell and the entire story sort of revolved around her capture. In the third book (Physik), Septimus becomes stuck in a Time five hundred years ago, and the story revolves around his rescue. Nicko and Snorri become stuck in that Time by the end of the book. In the fourth book (Queste), Nicko and Snorri are stuck in another Time and Jenna, Septimus, and Beetle must go and rescue them. In the process, Jenna, Septimus, and Beetle almost get stuck in that same Time also. In this book, Syrah is in mortal danger the entire time, as well as Septimus, Jenna, and Beetle, who are soon joined by Wolf Boy and Lucy. As you can see, in almost every book, the same basic narrative arc is used. I believe the author uses this in most books to create a recurring theme or to tie all the books together in some way, because they tend to have completely different plots only loosely interlinked.
I have noticed that a trend was when the Drawing happened and Septimus had to escape in order to escape the Queste, but he got the Queste anyway. You can see this when it says, "'No,' snapped Beetle suddenly. 'This has nothing to do with Nicko now. We are with Sep, and Sep is on the Queste. He has no choice. Once you Accept the Stone, Your Will is Not Your Own. Isn't that right, Sep?'" (Pg. 505) You can tell that the Acceptance of the Questing Stone which officially seals his fate to go on the Queste, has spurred a lot of things to happen. It spurred Septimus to try and escape the Queste, it spurred the journey of Beetle, Jenna, and Septimus to try and find Nicko and Snorri, and now it has had a big impact on what they were originally planning to do, as you can see in the quote, which has Beetle trying to get Jenna understand the importance of how the Queste was going to change their original plans. Therefore, it had a big impact on the events that unfolded.
Septimus thinks that a stranger who wished ill of him tried to get a "SafeCharm" to him in order to darken his fate, as had happened before to him, when really it was from Aunt Zelda. Barney Pot, who was supposed to give Septimus the SafeCharm, believes that Septimus was simply being stubborn and that terrible things would happen if he did not give Septimus the SafeCharm. Aunt Zelda thinks that Septimus got the SafeCharm she wanted to give him to keep him safe, and she is satisfied in his well-being. You can tell all these conflicting perspectives when it is stated, "Septimus shook his head. 'No, I don't have to take it.' Barney was horrified. He had promised to deliver a SafeCharm and deliver it he must. Awful things happened to people who promised to deliver SafeCharms and then didn't....Septimus looked at Barney. He felt sorry for the boy. 'Barney, a word of advice - never take a SafeCharm from anyone. Never.'" (Pg. 41) Also, you can see Aunt Zelda's perspective when it says, "Aunt Zelda sighed and told herself that at least Septimus had the SafeCharm - a live SafeCharm, no less." (Pg. 49) I believe that the author created this conflict in order to bring a feeling of frustration to the reader and to create a mood of forboding that Septimus did not have the SafeCharm.
